Omar B. Rimawi Omar B. Rimawi

Fujifilm Gets The Sigma 10-18mm F2.8

The Sigma 10-18mm F2.8 for the Fujifilm X-Mount.

I review what’s now my favorite YouTube video lens, the Sigma 10-18mm F2.8 for the Fujifilm X-Mount.

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Omar B. Rimawi Omar B. Rimawi

Shoot Video For A Living

Ever wanted to become a video professional? Here’s how I got started and if I can do it, you can too.

I get a lot of questions from up and coming video enthusiats on how to turn their hobby into a profession. The beauty of working in the creative field is that there is no linear path, but these tips are almost universal for anyone looking to turn their side gig into something a little more sustainable.

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Omar B. Rimawi Omar B. Rimawi

Reviewing All of My Fujifilm Gear

Discover a comprehensive review of Fujifilm cameras and lenses, including the XT3, XT5, and XH2S bodies, along with popular lenses like the 16mm F1.4 and 50mm F1.0. Learn about the strengths and weaknesses of each piece of equipment, from image quality and autofocus performance to video capabilities. Get insights on adapting third-party lenses and tips for both professional and enthusiast photographers using the Fujifilm X system.

Camera Bodies

  1. Fujifilm XT3

    • Rating: 9/10

    • Pros: First hybrid camera with 4K 60fps, great image quality, good autofocus after Kaizen update

    • Cons: Battery life, 30-minute record limit, overheating issues in extreme conditions

    • Still highly recommended, especially for its current value

  2. Fujifilm XT5

    • Rating: 9/10 (8.5/10 due to supply issues)

    • Pros: 40MP sensor, improved IBIS, better video capabilities (6.2K), good autofocus

    • Cons: No battery grip option, supply chain issues

  3. Fujifilm XH2S

    • Rating: 7/10 (potential for 9.5/10 if issues are resolved)

    • Pros: Open gate recording, great ergonomics, good autofocus (when working correctly)

    • Cons: Recent firmware updates have caused autofocus issues, external cooling fan design is awkward

Lenses

  1. Fujifilm 16mm F1.4 WR

    • Pros: Great image quality, weather-resistant

    • Cons: Loud autofocus for video

  2. Fujifilm 18mm F1.4

    • Pros: Fast autofocus, great image quality, quiet for video

  3. Fujifilm 33mm F1.4

    • Pros: Quiet autofocus, great for video and portraits

  4. Fujifilm 50mm F1.0

    • Pros: Unique F1.0 aperture, excellent for portraits

    • Cons: Some chromatic aberration in high contrast scenes

  5. Fujifilm 16-80mm F4

    • Pros: Versatile range, excellent image stabilization, weather-sealed

  6. Fujifilm 10-24mm F4 WR

    • Pros: Weather-sealed, great for wide-angle shots and video

  7. Fujifilm 16-55mm F2.8

    • Pros: Excellent image quality, versatile range, weather-sealed

    • Cons: Considered "boring" due to F2.8 aperture

  8. Fujifilm 70-300mm

    • Pros: Excellent image quality, works well with teleconverters

  9. Fujifilm 150-600mm

    • Pros: Lightweight, good image quality in good light

    • Cons: Slow aperture at telephoto end (F8)

  10. Fujifilm 200mm F2

    • Pros: Exceptional image quality, great for sports and portraits

    • Cons: Very expensive, large and heavy

Adapters and Third-Party Lenses

  • Discussed options for adapting Canon FD and EF lenses to Fujifilm bodies

  • Mentioned Viltrox, Fringer, and Metabones adapters for various lens systems

Additional Notes

  • The reviewer has an emotional attachment to the Fujifilm brand due to its role in their professional development

  • Emphasized the importance of firmware updates and potential issues they can cause

  • Discussed the value of buying used equipment when possible

  • Highlighted the strengths of Fujifilm's APS-C system and lens lineup

This comprehensive review provides insights into a wide range of Fujifilm equipment, covering both the strengths and weaknesses of various cameras and lenses. The reviewer's experience with using this equipment professionally adds valuable context to the assessments.

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Omar B. Rimawi Omar B. Rimawi

The Pitfalls of Gig Economy Photography Platforms: Why They're Bad for Photographers

Discover why gig economy photography platforms are harmful to photographers. Learn about the low pay, high equipment costs, and unrealistic expectations set by companies like Snapper and Shoot. Understand the risks of burnout, undervaluation, and stunted professional growth. Find out why these platforms lead to customer dissatisfaction and how they hinder photographers from building sustainable careers. Explore better alternatives for aspiring photographers to build their portfolios and client base.

# The Pitfalls of Gig Economy Photography Platforms: Why They're Bad for Photographers

In this video, Omar discusses the problems with gig economy photography platforms like Snapper, Shoot, and others. He explains why these platforms are detrimental to both aspiring and professional photographers.

## Key Points:

1. **Low Compensation**:

- Platforms typically offer $35-$70 per hour for active shooting time.

- No compensation for travel time, editing, or equipment costs.

- Photographers are treated as independent contractors, responsible for their own taxes.

2. **High Requirements, Low Pay**:

- Platforms demand professional-grade equipment (full-frame cameras, weather-sealed gear).

- Photographers must have advanced skills in shooting, directing, and editing.

- The pay doesn't justify the investment in equipment and skills.

3. **Financial Burden**:

- Photographers need to invest $2,000-$4,000 in equipment to meet platform requirements.

- It can take 58-114 shoots just to pay off the initial equipment investment.

4. **Lack of Job Security and Benefits**:

- Inconsistent income and work availability.

- No employee benefits despite being treated like employees.

5. **Undervaluation of Work**:

- The platforms undervalue the skills and effort required for quality photography.

- Photographers are expected to handle all aspects of the job for minimal compensation.

6. **Burnout and Overwork**:

- The combination of low pay and high expectations leads to burnout.

- Photographers often work long hours for minimal compensation.

7. **Limited Professional Growth**:

- No opportunity to build a portfolio (can't use photos for self-promotion).

- Limited creative control and inability to plan shoots in advance.

8. **Dependence on Platforms**:

- Photographers become reliant on these platforms for work.

- They don't learn essential marketing and business skills.

9. **Customer Dissatisfaction**:

- Reddit testimonials show frequent cancellations and poor customer service.

- The low pay leads to photographers prioritizing other, better-paying gigs.

## Alternatives and Advice:

1. Reach out to personal networks for initial clients.

2. Offer affordable rates ($250+) to build a portfolio and client base.

3. Focus on building relationships and getting referrals.

4. Learn to market yourself and grow professionally.

Omar emphasizes that these platforms are detrimental to both individual photographers and the industry as a whole. He encourages photographers to avoid these platforms and instead focus on building their skills, portfolio, and client base independently.

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Omar B. Rimawi Omar B. Rimawi

Is the Canon 5D Classic Still Good?

The Canon 5D Classic offers a cost-effective way to achieve high-quality photos, especially for those who don't need the latest features. It's particularly suitable for deliberate, thoughtful photography in good lighting conditions. However, users should be aware of its limitations, especially in low-light situations.

# Canon 5D Classic Review: Is a 19-Year-Old Camera Still Relevant?

In this video, I explore the capabilities of the Canon 5D Classic, a 19-year-old digital camera, and discuss its relevance in today's photography landscape. Here's a breakdown of the key points:

## The Appeal of Older Cameras

1. There's a resurgence in using actual cameras over phones for better quality photos.

2. Many people are rediscovering the value of older, professional-grade cameras for personal photography.

3. The Canon 5D Classic, released 19 years ago, still offers professional features at an affordable price.

## Technical Specifications and Performance

1. 12.8 megapixel full-frame sensor

2. Optical viewfinder (no EVF or live view)

3. No video capabilities

4. Limited to 9 autofocus points

5. ISO performance good up to 800, usable up to 1250, poor beyond 1600

## Advantages

1. Excellent image quality for most purposes

2. Compatible with affordable Canon EF lenses

3. Comfortable ergonomics and weather-sealed body

4. "Digital film camera" experience

5. Produces a "filmic" look due to its 10-stop dynamic range

## Cost-Effectiveness

1. Body, battery grip, and accessories can be found for under $200

2. High-quality EF lenses available at reasonable prices

3. Total setup cost significantly lower than many modern cameras

## Practical Use

1. Ideal for personal photography and memory capture

2. Performs well in good lighting conditions

3. Circular polarizer recommended for creative opportunities

## Limitations

1. Poor low-light performance (ISO 1600 and above)

2. No continuous autofocus

3. Limited dynamic range compared to modern cameras

## Post-Processing

1. Modern denoising tools can significantly improve high-ISO images

2. Lightroom and Topaz Photo AI demonstrated as effective tools

## Conclusion

The Canon 5D Classic offers a cost-effective way to achieve high-quality photos, especially for those who don't need the latest features. It's particularly suitable for deliberate, thoughtful photography in good lighting conditions. However, users should be aware of its limitations, especially in low-light situations.

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Omar B. Rimawi Omar B. Rimawi

How To Turn Any Lens Into An Ultrawide Lens

Learn how to create wide-angle photos with any lens using panoramic stitching. This video demonstrates the technique using a Palestinian mural in Washington DC as an example. Discover the equipment needed, shooting tips, and post-processing steps to overcome space limitations and capture impossible shots. Perfect for photographers looking to expand their creative possibilities without investing in expensive ultra-wide lenses. Master this method to solve common shooting challenges.

# How to Turn Any Lens into a Wide-Angle Lens: A Practical Guide

In this video, I demonstrate a technique to create wide-angle photos using any lens you have on hand. This method is particularly useful when faced with challenging shooting conditions, such as narrow spaces that prevent you from capturing an entire scene in one frame.

## Key Points:

1. **The Challenge**: I showcase this technique using a Palestinian mural in Washington DC as an example. The narrow alleyway (8-10 feet wide) made it impossible to capture the entire mural in one shot, even with an ultra-wide lens.

2. **The Solution**: Panoramic stitching. By taking multiple overlapping vertical shots and combining them in post-processing, you can create a wide-angle view that wouldn't be possible with a single shot.

3. **Equipment Used**:

- Fujifilm XT5 camera

- Fuji 10-24mm lens (15mm full-frame equivalent at its widest)

- Monopod

- Wireless trigger

4. **Technique**:

- Mount the camera vertically on a monopod

- Use manual focus and set aperture to f/9 for sharpness

- Take multiple overlapping shots (40-70% overlap recommended)

- Maintain level shots to minimize distortion

5. **Post-Processing**:

- Use software like Capture One or Lightroom for stitching

- Correct perspective and distortion in Photoshop

- Optional: sky replacement and other creative edits

6. **Applications**: This technique can be used with various cameras, including smartphones and point-and-shoots. It allows you to create ultra-wide shots or even simulate medium format looks with smaller sensors.

7. **Creative Possibilities**: The final image doesn't have to be perfectly corrected. In this case, I chose to keep some distortion for artistic effect.

8. **Practical Use**: The resulting high-resolution image was printed and shared with the mural artists.

This technique demonstrates that creativity in photography often comes down to problem-solving within constraints. By mastering this method, you can overcome limitations in your gear and shooting conditions to capture scenes that would otherwise be impossible.

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Omar B. Rimawi Omar B. Rimawi

How to Get Smooth Handheld Footage: Top 5 Techniques for Beginners

In this post, I share my tips for shooting handheld video using a 50mm lens, offering practical techniques for stabilization without gimbals or expensive gear. From using your body as a stabilizer, leveraging camera straps, to applying post-production techniques like warp stabilizer, these tips will help you achieve smoother, professional-looking footage with minimal equipment.

Hey everyone, Omar here! Today's post is inspired by a DM from a subscriber named Soale from Bistan, asking about shooting handheld video with a 50mm lens. His camera broke, and the price difference between cameras like the GH4 and GH5 is significant in his area. So, I'll be showing how I handle handheld shooting with my Fujifilm XT3 using minimal accessories.

Challenges with a 50mm Lens

A 50mm lens has a medium telephoto focal length and a shallow depth of field, which makes it prone to shaky footage when shooting handheld. Here’s how you can stabilize your shots without a stabilizer:

1. Use Your Body as a Stabilizer

Think of your body as a stabilizer and shock absorber. Hold the camera close to your body with loose elbows and a slight bend in your knees. The more points of contact between your camera and your body, the more stable the footage will be.

2. Leverage Your Camera Strap

The camera strap can add stability. Use the strap around your neck or arm, pulling it taut to create a stable shooting setup. This works well for holding your camera at a comfortable distance without straining your arms.

3. Intentional Movement

Keep your movements slow and deliberate. Whether you’re panning, tilting, or orbiting around a subject, controlled movement makes your footage look smoother and more natural.

4. Use Your Environment

Lean against stationary objects like walls or railings to support your body and reduce camera shake. This helps a lot, especially during longer handheld shots.

5. Warp Stabilizer in Post

Warp stabilization can help clean up shaky footage in post-production. But use it sparingly—overdoing it can lead to unnatural effects like the “jello” effect. If you must use it, shoot at a high frame rate for smoother results and apply stabilization to specific parts of the clip.

Bonus Tip: Consider a Monopod

A simple, inexpensive monopod can provide extra stability and reduce strain during longer shoots. It also allows for high-angle shots and adds flexibility without the bulk of a tripod.

In summary, bend your elbows and knees, use your strap, move with intention, take advantage of your environment, and save warp stabilization as a last resort. With these techniques, you’ll have stable, professional-looking footage without needing expensive stabilization gear.

Thanks for reading, and catch you in the next one!

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Omar B. Rimawi Omar B. Rimawi

How To Become A Professional Photographer and Videographer

Discover what it truly takes to become a successful professional photographer or videographer. Learn why relationships and soft skills matter more than the latest gear. Explore tips on building client trust, handling business challenges, and maintaining passion through personal projects. Get insights on social media strategies, community building, and continuous growth in the competitive world of visual content creation.

My Journey as a Professional Photographer and Videographer: It's More Than Just Gear

As a small-time production artist, I've learned that becoming a successful professional photographer or videographer goes far beyond having the latest and greatest equipment. Here's what I've discovered on my journey:

Key Points from My Experience:

  1. Relationships Matter More Than Gear

    • My success has hinged more on who's in my contact list than what's in my camera bag.

    • Building trust and relationships with clients has been crucial for my long-term success.

  2. My Experience with SBD Apparel

    • My work with SBD Apparel came from relationships I built in the amateur strongman community.

    • The trust I earned led to significant opportunities, like shooting World's Strongest Man 2021.

  3. Adapting to Challenges

    • I faced overheating issues during World's Strongest Man 2021.

    • This experience taught me the importance of investing in reliable gear (like the Canon R5C) to avoid such issues.

  4. The Importance of Soft Skills

    • I've learned to make subjects feel seen, appreciated, and understood.

    • Navigating discussions and delivering great content, even when clients don't initially see the vision, has been crucial.

  5. My Approach to Marketing and Social Media

    • How I market myself and engage with my audience has become a significant part of my job.

    • I'm aware that potential clients observe my online presence and interactions.

  6. Handling Business Challenges

    • I've learned to discuss price increases with long-term clients tactfully and with advance notice.

    • Being solution-oriented when unexpected issues arise has set me apart.

  7. My Personal vs. Professional Social Media Approach

    • I've chosen to merge my personal and professional presence online.

    • This approach has risks and benefits, including potential conflicts with brands over my personal views.

  8. Building a Community

    • I interact with my audience, share techniques, and avoid gatekeeping.

    • I see myself as part of a community rather than just a service provider.

  9. Maintaining Passion

    • I keep personal projects going to avoid burnout and resentment towards my craft.

    • My YouTube channel is currently my creative project for learning and growth.

  10. Continuous Learning and Growth

    • I encourage others to learn from my mistakes and make new ones of their own.

    • I emphasize the importance of growing from these experiences.

Through my journey, I've found that becoming a successful professional in photography or videography requires a combination of technical skills, people skills, business acumen, and a passion for the craft that extends beyond just making money.

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Omar B. Rimawi Omar B. Rimawi

Adapting Canon FD Lenses To Fujifilm Cameras (With A Speedbooster)

In my latest exploration, I took the Canon FD 20-35mm f/3.5L lens, a vintage gem, and mounted it onto my Fujifilm XT3 using a Metabones Speed Booster. This setup brings out the nostalgic charm of vintage lenses while making them more versatile on modern mirrorless cameras.

The appeal of these old lenses lies in their character, which offers a unique, timeless look that newer lenses often lack. While they may not match the sharpness and autofocus capabilities of today’s technology, the Canon FD lenses deliver a distinctive aesthetic that many photographers find appealing, especially in a world where the cost of new equipment continues to rise.

Throughout my photo walk, I explored various scenes, from tall grass to urban settings in my hometown, capturing images that evoke memories with their film-like rendering. The Speed Booster not only enhances the lens’s performance by providing a wider field of view and an additional stop of light but also adds a layer of convenience for those who want to breathe new life into their old glass.

While there are some challenges, such as the lack of weather sealing and manual focus, the experience of using these lenses is rewarding. Whether you’re looking to save money or simply want to experiment with vintage gear, adapting Canon FD lenses to the Fujifilm XT3 with a Speed Booster is a satisfying way to achieve a classic photographic look.

If you’re interested in exploring this setup, I highly recommend giving it a try. And as always, feel free to leave any questions or suggestions for future videos in the comments. Catch you at the next one!

In my latest exploration, I took the Canon FD 20-35mm f/3.5L lens, a vintage gem, and mounted it onto my Fujifilm XT3 using a Metabones Speed Booster. This setup brings out the nostalgic charm of vintage lenses while making them more versatile on modern mirrorless cameras.

The appeal of these old lenses lies in their character, which offers a unique, timeless look that newer lenses often lack. While they may not match the sharpness and autofocus capabilities of today’s technology, the Canon FD lenses deliver a distinctive aesthetic that many photographers find appealing, especially in a world where the cost of new equipment continues to rise.

Throughout my photo walk, I explored various scenes, from tall grass to urban settings in my hometown, capturing images that evoke memories with their film-like rendering. The Speed Booster not only enhances the lens’s performance by providing a wider field of view and an additional stop of light but also adds a layer of convenience for those who want to breathe new life into their old glass.

While there are some challenges, such as the lack of weather sealing and manual focus, the experience of using these lenses is rewarding. Whether you’re looking to save money or simply want to experiment with vintage gear, adapting Canon FD lenses to the Fujifilm XT3 with a Speed Booster is a satisfying way to achieve a classic photographic look.

If you’re interested in exploring this setup, I highly recommend giving it a try. And as always, feel free to leave any questions or suggestions for future videos in the comments. Catch you at the next one!

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Omar B. Rimawi Omar B. Rimawi

The Fujifilm 200mm F2 in 2024

In my latest video, I revisited one of my favorite lenses, the Fujifilm 200mm F2, which I’ve owned for nearly five years. Originally designed for sports photography, this lens offers incredible subject magnification and background compression, making it surprisingly effective for portrait work. I took it out for some portrait sessions, and the results were stunning. The 200mm F2, especially when paired with a 1.4x teleconverter, transforms everyday scenes into dramatic, high-impact images that are usually reserved for professional sports photography.

Despite its weight and size, this lens is a joy to use, delivering crisp, detailed photos even in challenging lighting conditions. If you're interested in seeing how this lens performs outside of its usual sports environment, check out the video for a detailed look at its capabilities in portrait photography. As always, feel free to leave your thoughts and suggestions in the comments.

In my latest video, I revisited one of my favorite lenses, the Fujifilm 200mm F2, which I’ve owned for nearly five years. Originally designed for sports photography, this lens offers incredible subject magnification and background compression, making it surprisingly effective for portrait work. I took it out for some portrait sessions, and the results were stunning. The 200mm F2, especially when paired with a 1.4x teleconverter, transforms everyday scenes into dramatic, high-impact images that are usually reserved for professional sports photography.

Despite its weight and size, this lens is a joy to use, delivering crisp, detailed photos even in challenging lighting conditions. If you're interested in seeing how this lens performs outside of its usual sports environment, check out the video for a detailed look at its capabilities in portrait photography. As always, feel free to leave your thoughts and suggestions in the comments.

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Omar B. Rimawi Omar B. Rimawi

Fujifilm X-T5 and 50mm F1 Natural Light Photoshoot

In my latest video, I dive into a portrait photoshoot using the Fujifilm X-T5 paired with the 50mm F1 lens—one of my all-time favorite setups. I’ve always appreciated the versatility of this lens, especially its ability to create stunning portraits with a slightly wider view than the typical 85mm.

During the shoot, I experimented with both natural and off-camera flash lighting, highlighting the importance of understanding your gear and the environment. This session reminded me that while modern technology is fantastic, sometimes it's refreshing to return to the basics, relying more on ambient light and less on additional equipment.

I also touched on the importance of adaptability during a shoot, especially when dealing with challenging lighting conditions. Whether you're a seasoned professional or just starting out, this video showcases how a well-chosen lens can elevate your photography, making every shot count.

If you're interested in seeing the results and learning more about my process, check out the video linked above. And as always, feel free to leave your thoughts and suggestions in the comments.

In my latest video, I dive into a portrait photoshoot using the Fujifilm X-T5 paired with the 50mm F1 lens—one of my all-time favorite setups. I’ve always appreciated the versatility of this lens, especially its ability to create stunning portraits with a slightly wider view than the typical 85mm.

During the shoot, I experimented with both natural and off-camera flash lighting, highlighting the importance of understanding your gear and the environment. This session reminded me that while modern technology is fantastic, sometimes it's refreshing to return to the basics, relying more on ambient light and less on additional equipment.

I also touched on the importance of adaptability during a shoot, especially when dealing with challenging lighting conditions. Whether you're a seasoned professional or just starting out, this video showcases how a well-chosen lens can elevate your photography, making every shot count.

If you're interested in seeing the results and learning more about my process, check out the video linked above. And as always, feel free to leave your thoughts and suggestions in the comments.

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Omar B. Rimawi Omar B. Rimawi

13mm Wide Angle Setup For Your Z-V1 II

If you’re using the Sony ZV-1 Mark II and looking to expand its field of view for your vlogs or desk setups, this guide is for you. The standard field of view can feel restrictive, especially for those who need to capture more in tight spaces. By adding a Ulanzi wide-angle lens and pairing it with the C TV bracket, you can achieve a dramatic 13mm focal length, offering an expansive view perfect for YouTube content creation.

This setup is particularly beneficial for those who want to maintain a compact, portable configuration while getting that extra wide-angle perspective. Whether you're showcasing products, creating tutorials, or just looking for a more engaging shot, this combination gives you the flexibility and professional touch you need.

One thing to note is the slight curvature introduced by the wide-angle lens, but this can be corrected with lens correction in post-production. The result? A super-wide, immersive field of view that rivals more expensive setups, all from your desk.

In conclusion, this 13mm wide-angle setup for the ZV-1 Mark II offers a simple yet powerful way to enhance your video production. It’s a game-changer for content creators who want a broader perspective without sacrificing portability. If you're looking for a nerdy, effective way to upgrade your ZV-1 Mark II, this is the setup for you. Catch you in the next video!

If you’re using the Sony ZV-1 Mark II and looking to expand its field of view for your vlogs or desk setups, this guide is for you. The standard field of view can feel restrictive, especially for those who need to capture more in tight spaces. By adding a Ulanzi wide-angle lens and pairing it with the C TV bracket, you can achieve a dramatic 13mm focal length, offering an expansive view perfect for YouTube content creation.

This setup is particularly beneficial for those who want to maintain a compact, portable configuration while getting that extra wide-angle perspective. Whether you're showcasing products, creating tutorials, or just looking for a more engaging shot, this combination gives you the flexibility and professional touch you need.

One thing to note is the slight curvature introduced by the wide-angle lens, but this can be corrected with lens correction in post-production. The result? A super-wide, immersive field of view that rivals more expensive setups, all from your desk.

In conclusion, this 13mm wide-angle setup for the ZV-1 Mark II offers a simple yet powerful way to enhance your video production. It’s a game-changer for content creators who want a broader perspective without sacrificing portability. If you're looking for a nerdy, effective way to upgrade your ZV-1 Mark II, this is the setup for you. Catch you in the next video!

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Omar B. Rimawi Omar B. Rimawi

Upgrade Your Phone Videos: Five Essentials For Pro Results

In this video, I demonstrate how to elevate your phone video quality with five essential tools. First, focus on audio quality by using a reliable lavalier mic like the Sennheiser XS USB-C. Next, improve your lighting with a compact, portable light such as the Aputure MC. Use a magnetic selfie screen to easily frame shots with your phone's rear camera. Invest in a sturdy tabletop tripod for stable, eye-level shots. Lastly, leverage the Blackmagic Camera app for pro-level features like manual controls and aspect ratio framing.

These tools make your content look and sound more professional without breaking the bank. If you’re serious about improving your videos, these are must-haves in your toolkit.

**Blog Post: Upgrade Your Phone Videos with These 5 Essentials**

Are you ready to take your phone videos from average to professional? In this guide, I explore five essential tools to enhance your video quality, making it easy to produce content that stands out.

1. **Audio Quality Matters**: Start with clear, crisp audio by using a lavalier mic like the Sennheiser XS USB-C. Poor audio is more distracting than subpar visuals, so prioritize sound.

2. **Lighting Is Key**: A compact, portable light such as the Aputure MC can make a significant difference. Good lighting eliminates harsh shadows and ensures your face is evenly lit, which is crucial for a polished look.

3. **Frame with Precision**: Using your phone's rear camera offers better quality, but framing can be tricky. Enter the **magnetic selfie screen**—this tool allows you to see exactly what you’re filming, making it easier to capture the perfect shot.

4. **Stable Shots with a Tabletop Tripod**: A sturdy tabletop tripod, like the iFootage, ensures your shots are stable and at the right height. It’s an essential tool for any desk setup, making it easy to record without the hassle of a full-sized tripod.

5. **Unlock Pro Features with the Blackmagic Camera App**: This free app offers advanced features like manual controls and aspect ratio framing, typically found only in high-end cameras. It's a game-changer for those who want to step up their production quality without investing in expensive equipment.

These tools are designed to simplify the process of creating professional-looking videos with just your phone. Whether you’re a content creator, a small business owner, or just someone looking to improve their video quality, these essentials will help you achieve impressive results.

If you have any questions or want to see more in-depth tutorials on mobile video production, leave a comment, and I’ll be happy to explore those topics in future videos. Until then, happy shooting!

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Omar B. Rimawi Omar B. Rimawi

Taking The Canon 24-105mm F2.8L For A Spin: A Real World Test

Blog Post: The Evolution of Gear Reviews and the Canon 24-105mm f/2.8L

In a landscape saturated with gear reviews, it's easy to lose sight of why many of us started creating content. Initially, gear videos weren't the goal; they became a necessity after navigating countless purchases and the dream of turning a passion into a profession. This context sets the stage for my review of the Canon 24-105mm f/2.8L, a lens that breaks away from the monotony of gear talk because it genuinely solves long-standing problems for professionals.

For years, the Canon 24-105mm focal length has been synonymous with versatility, but it often left photographers and videographers wanting more, especially in low light. The original f/4 version, while functional, lacked the light-gathering capability needed for more challenging environments. Fast forward to today, Canon has redefined this focal range with the 24-105mm f/2.8L, a lens that finally offers the best of both worlds—versatility and light performance.

What sets this lens apart? It’s not just the extra stop of light, but how it impacts the workflow of professionals. For event photographers and videographers, this lens minimizes the need to constantly switch between lenses, streamlining the process and allowing for greater focus on capturing the moment. Whether you're double-slinging cameras at a wedding or covering dynamic sports events like Strongman competitions, this lens adapts effortlessly.

For photographers, the lens addresses the long-standing issue of focal length overlap in the classic trinity setup (24-70mm, 70-200mm). The 24-105mm fills this gap, making it possible to cover a broader range without the need for multiple lenses. This efficiency is particularly valuable in tight quarters, where swapping lenses can be cumbersome and time-consuming.

For videographers, the 24-105mm f/2.8L is a game-changer. Its versatility allows for seamless transitions between wide and medium telephoto shots, even in challenging shooting conditions. When paired with a high-resolution camera like the Canon R5C, the lens can effectively cover an even broader range with digital cropping, making it an indispensable tool for event coverage.

Despite its larger size and weight compared to the 24-70mm, the benefits far outweigh these minor inconveniences. The lens’s construction is a testament to Canon’s commitment to pushing the boundaries of what's possible, offering a lens that meets the needs of both photographers and videographers without compromise.

In conclusion, the Canon 24-105mm f/2.8L is more than just an incremental upgrade; it's a lens that could very well redefine the standard kit for professionals. Whether you’re a seasoned photographer, a budding videographer, or somewhere in between, this lens offers a compelling reason to reconsider your go-to gear setup. As we move into an era where AI and innovative lens designs are becoming the norm, Canon is leading the charge with tools like this that genuinely enhance the creative process.

**Blog Post: The Evolution of Gear Reviews and the Canon 24-105mm f/2.8L**

In a landscape saturated with gear reviews, it's easy to lose sight of why many of us started creating content. Initially, gear videos weren't the goal; they became a necessity after navigating countless purchases and the dream of turning a passion into a profession. This context sets the stage for my review of the Canon 24-105mm f/2.8L, a lens that breaks away from the monotony of gear talk because it genuinely solves long-standing problems for professionals.

For years, the Canon 24-105mm focal length has been synonymous with versatility, but it often left photographers and videographers wanting more, especially in low light. The original f/4 version, while functional, lacked the light-gathering capability needed for more challenging environments. Fast forward to today, Canon has redefined this focal range with the 24-105mm f/2.8L, a lens that finally offers the best of both worlds—versatility and light performance.

What sets this lens apart? It’s not just the extra stop of light, but how it impacts the workflow of professionals. For event photographers and videographers, this lens minimizes the need to constantly switch between lenses, streamlining the process and allowing for greater focus on capturing the moment. Whether you're double-slinging cameras at a wedding or covering dynamic sports events like Strongman competitions, this lens adapts effortlessly.

For photographers, the lens addresses the long-standing issue of focal length overlap in the classic trinity setup (24-70mm, 70-200mm). The 24-105mm fills this gap, making it possible to cover a broader range without the need for multiple lenses. This efficiency is particularly valuable in tight quarters, where swapping lenses can be cumbersome and time-consuming.

For videographers, the 24-105mm f/2.8L is a game-changer. Its versatility allows for seamless transitions between wide and medium telephoto shots, even in challenging shooting conditions. When paired with a high-resolution camera like the Canon R5C, the lens can effectively cover an even broader range with digital cropping, making it an indispensable tool for event coverage.

Despite its larger size and weight compared to the 24-70mm, the benefits far outweigh these minor inconveniences. The lens’s construction is a testament to Canon’s commitment to pushing the boundaries of what's possible, offering a lens that meets the needs of both photographers and videographers without compromise.

In conclusion, the Canon 24-105mm f/2.8L is more than just an incremental upgrade; it's a lens that could very well redefine the standard kit for professionals. Whether you’re a seasoned photographer, a budding videographer, or somewhere in between, this lens offers a compelling reason to reconsider your go-to gear setup. As we move into an era where AI and innovative lens designs are becoming the norm, Canon is leading the charge with tools like this that genuinely enhance the creative process.

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Omar B. Rimawi Omar B. Rimawi

My Favorite Fujifilm Portrait Combo

The Fujifilm X-T5 and 50mm F1 are my favorite camera/lens combo to date. In this video I do a Cherry Blossom photoshoot using this combo and go over its strengths, weaknesses, and compare it to other setups.

This was my last photoshoot before moving out of the Washington, D.C. region with long-time friend and model Rebecca Chen. Fittingly, we shot with my favorite camera/lens combo, the Fujifilm X-T5 and the Fujifilm 50mm F1 when the Cherry Blossoms were in bloom.

In this video I go over the reasons why I love this combo, what the limitations are, and show you an entire photoshoot in the process while I yap my way through.

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Omar B. Rimawi Omar B. Rimawi

The Canon G1X Mark III Is The Best Point-And-Shoot Camera Around

The Canon G1X Mark III is a weather-sealed APSC powerhouse that’s still affordable, at least until TikTok makes it go viral.

With so many point-and-shoot camera being overhyped and selling out as a result, some real forgotten stars are still affordable and the frontrunner in this space is the Canon G1X Mark III. It’s a fully weather-sealed APSC camera with a 24-72mm focal length and more affordable now than it has ever been before. This video goes into detail as to why you should consider it over the overhyped summer cameras of 2024.

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Omar B. Rimawi Omar B. Rimawi

Your Camera Company Doesn’t Love You

In this video, I go over the emotional heartstrings camera companies tug at to build the parasocial relationship with customers that we’re all to familiar with in this day and age.

Don’t fall for it, it’s a trap.

In my latest video, I dive deep into the unsettling practices of major camera companies and expose how their primary focus is on profit rather than genuinely catering to our needs as consumers and creators.

Key Points:

  1. Planned Obsolescence: Camera companies design their products with limited lifespans to keep us in a perpetual cycle of upgrading. This tactic ensures they continuously rake in profits, while we are left chasing the latest models that offer only marginal improvements.

  2. Minimal Innovation: Despite the flashy marketing, many new camera models feature only minor upgrades that don't justify their high prices. Companies market these small tweaks as groundbreaking to maintain their sales momentum, but the actual advancements are often underwhelming.

  3. Manipulative Marketing: These companies employ aggressive marketing strategies to create a sense of urgency and necessity around new releases. This psychological pressure makes us feel like we need the latest gear to stay relevant, even when our current equipment is more than capable.

  4. Consumer Awareness: I encourage all of you to be more critical of these practices and make informed decisions when purchasing new gear. Don't fall for the hype—support companies that genuinely innovate and listen to our feedback rather than those exploiting our loyalty for profit.

  5. Alternative Solutions: Consider looking into smaller, more consumer-friendly companies that offer better value and true innovation. By shifting our support to these brands, we can drive meaningful change in the industry.

Conclusion:

The bottom line is, camera companies are more interested in their bottom line than in our satisfaction and progress as creators. Let's be smarter about our choices and support those who truly value innovation and customer feedback.

For a more detailed discussion, check out the full video here.

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Omar B. Rimawi Omar B. Rimawi

Exploring the Final Cut Camera App: A Comprehensive Review

In my latest video on the Final Cut Camera App, I dive into the powerful features and functionalities of this innovative app designed for videographers. This tool offers a seamless shooting and editing experience with its user-friendly interface and pro camera controls, perfect for both professionals and amateurs.

In my latest video on the Final Cut Camera App, I dive into the powerful features and functionalities of this innovative app designed for videographers. This tool offers a seamless shooting and editing experience with its user-friendly interface and pro camera controls, perfect for both professionals and amateurs.

Key Highlights:

  • Intuitive Interface: Easy navigation and efficient workflow.

  • Pro Camera Controls: Robust features for professional-quality videos.

  • Apple Ecosystem Integration: Smooth syncing with other Apple products.

I also demonstrate the app’s performance in various scenarios and provide tips to maximize its potential. Whether you're a seasoned videographer or just starting out, the Final Cut Camera App can significantly enhance your video production process.

For an in-depth look, check out the full video and see how this app can transform your videography experience.

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Omar B. Rimawi Omar B. Rimawi

Fujifilm’s Best Portrait Lens

Fujifilm has lenses that are staples in every shooter’s camera bag. Some are so popular that even Non-Fujifilm shooters know about them. One lens whose superiority goes unsung is the Fujifilm 50mm F1. Ridiculed by reviewers since day one, the reality is that it stands on its own in both Fuji’s lens lineup and across all camera brands as one of the lightest and fastest portrait lenses on the market today.

This post may contain affiliate links and I may be compensated for any purchases made using them.

The Fujifilm 50mm F1: The Last Portrait Lens You'll Ever Need

Introduction

In my latest video, I explore why the Fujifilm 50mm F1 lens might just be the ultimate portrait lens for photographers. This review dives into its build quality, performance, and the stunning image quality it delivers.

Build and Design

The Fujifilm 50mm F1 lens boasts exceptional build quality. It's robust, well-balanced, and designed to withstand the rigors of professional use. The lens feels solid in hand, providing a reassuring weight without being cumbersome.

Performance

One of the standout features of this lens is its speed and accuracy. The autofocus is incredibly fast and precise, making it perfect for capturing fleeting moments. Whether you're shooting in bright daylight or low-light conditions, the 50mm F1 performs flawlessly, thanks to its wide aperture.

Image Quality

The image quality of the 50mm F1 is nothing short of spectacular. The lens produces sharp, detailed images with beautiful, creamy bokeh that makes subjects stand out. The wide aperture allows for excellent depth of field control, creating stunning portrait shots with a professional look.

Versatility

While the 50mm F1 is marketed as a portrait lens, its versatility extends beyond just portraits. It's excellent for street photography, events, and even some macro work. The lens’s ability to render beautiful out-of-focus areas makes it ideal for a variety of photographic styles.

Video Capabilities

In addition to stills, the 50mm F1 is a fantastic lens for video work. The wide aperture and fast autofocus ensure smooth, cinematic footage, making it a valuable addition to any videographer's kit.

Final Thoughts

The Fujifilm 50mm F1 lens is an investment that pays dividends in the quality of your work. Its exceptional build, stunning image quality, and versatile performance make it a must-have for any serious photographer. If you're looking for a lens that can elevate your portraits and offer superb performance across various shooting scenarios, the 50mm F1 is the one to get.

For a more detailed look at the Fujifilm 50mm F1, check out my full review video:

Watch the Fujifilm 50mm F1 Review

Amazon Affiliate Links:

Fujifilm 50mm F1: https://amzn.to/3Q0Grql

Fujifilm 56mm F1.2 II: https://amzn.to/3QlCpuc

Fujifilm X-T5: https://amzn.to/45HWkrK

Fuji X-H2S: https://amzn.to/3FjJDID

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Omar B. Rimawi Omar B. Rimawi

Fujifilm X-T5 Long-Term Review

The Fujifilm X-T5 is the true successor to my all-time favorite camera, the Fujifilm X-T3. In this video we see how the classic ergonomics and dial mesh with the new 40 megapixel sensor and autofocus algorithms to make what may very well be the last photo camera I ever buy. Join me and my friend Babs in the Baltimore Harbor for this video as we put the X-T5 through its paces with the newer linear motor lenses along with the legacy 16mm F1.4 lens.

This post may contain affiliate links and I may be compensated for any purchases made using them.

Fujifilm X-T5 and 50mm F1: A Long-Term Review by a Professional Photographer

As a professional photographer, I’ve had the pleasure of extensively using the Fujifilm X-T5 paired with the 50mm F1 lens, and I’m excited to share my long-term insights.

Build and Design

The X-T5 upholds Fujifilm's renowned classic design with modern enhancements. Its robust build and ergonomic design make it a joy to use, providing comfort and durability during long shoots. The tactile dials and buttons are intuitive, offering a seamless shooting experience.

Image Quality

The X-T5’s 40MP sensor is a game-changer, delivering images with outstanding detail and vibrant colors. Whether you're capturing landscapes, portraits, or street photography, this camera excels in all scenarios. The 50mm F1 lens, known for its exceptional sharpness and beautiful bokeh, complements the sensor perfectly. This lens is ideal for portraits, offering a shallow depth of field that makes subjects pop against creamy, defocused backgrounds.

Performance

In terms of performance, the X-T5 doesn’t disappoint. The autofocus system is both fast and accurate, ensuring you capture every critical moment. The camera handles a wide range of lighting conditions with ease, thanks to its impressive dynamic range. The 50mm F1 lens, with its wide aperture, excels in low-light situations, making it a versatile tool for various photography genres.

Video Capabilities

While the X-T5 is primarily a stills camera, its video capabilities are impressive. It supports 4K video recording, producing footage with rich detail and smooth motion. The 50mm F1 lens adds a cinematic quality to videos, thanks to its wide aperture and excellent depth of field control.

Usability

One of the standout features of the X-T5 is its usability. The menu system is user-friendly, and the customizable buttons and dials allow for a highly personalized shooting experience. Battery life is solid, easily lasting through extended shoots, which is crucial for professional work.

Final Thoughts

The Fujifilm X-T5, paired with the 50mm F1 lens, is a powerful combination for any professional photographer. Its high-resolution sensor, fast autofocus, and robust build quality make it a versatile tool capable of delivering stunning results. Whether you're shooting portraits, landscapes, or videos, this setup offers exceptional performance and image quality. If you're considering an upgrade or looking to invest in a reliable camera system, the X-T5 and 50mm F1 are worth every penny.

Check out my detailed review video to see more sample shots and in-depth analysis:

Watch the Fujifilm X-T5 and 50mm F1 Long Term Review

Amazon Affiliate Links:
Fujifilm X-T5: https://amzn.to/49OlQhD

Fujifilm 50mm F1: https://amzn.to/3TvHNw8

Fujifilm 33mm F1.4: https://amzn.to/4a8RQwQ

Fujifilm 16mm F1.4: https://amzn.to/3wIi6zy

Fujifilm X-T3: https://amzn.to/3TxzVKw

Sony Z-V1 II (YouTube Cam): https://amzn.to/48KYWq1

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